Was surfing around and decided to check out the official Olympics site. The first thing that struck me was the corporate logo feces plastered on a lot of their pics......the likes of GE, Samsung are all over the fucking place which I find sort of contrary to the pure olympic movement.
Anyways....on one of the pics there's a building with text being projected on its outside wall.....
The phrase sounded a little odd so I googled it and came back with the following entry....
PERPETRATOR
I SWIM ON HER AS SHE QUITES.
I SINK ON HER.
I SING HER A SONG ABOUT US.
I STEP ON HER HANDS.
I SPLAY HER FINGERS.
SHE ROOTS WITH HER BLUNT FACE.
SHE HUNTS WITH ME IN HER MOUTH.
SHE HAS THREE COLORS IN HER EYES.
I BITE HER CLOSED AGAIN.
I AM NEAR HER MILK.
I TELL HER TO SOAP HERSELF.
SHE TIGHTENS AND I HIT HER.
I WASH HER OUT.
I WATCH HER WHILE SHE THINKS ABOUT ME.
HER SALIVA RUNS WHEN SHE SLEEPS.
I HOOK HER SPINE.
SHE HAS A URINE SMELL.
HER SWALLOW REFLEX IS GONE.
HER HEAD EXPLODES IN THE FIRE.
HER BREASTS ARE ALL NIPPLE
SHE ACTS LIKE AN ANIMAL LEFT FOR COOKING.
I FIND HER QUATTING ON HER HEELS AND THIS OPENS HER SO
I CAN GET HER FROM BELOW.
I TAKE HER FACE WITH ITS FINE HAIRS. I POSITION HER MOUTH.
I WANT TO FUCK HER WHERE SHE HAS TOO MUCH HAIR.
I HOOK MY CHIN OVER HER SHOULDER. NOW THAT SHE IS STILL I CAN CONCENTRATE.
SHE HAS NO TASTE LEFT TO HER AND THIS MAKES IT EASIER FOR ME.
THE COLOR OF HER WHERE SHE IS INSIDE OUT IS ENOUGH TO MAKE ME
KILL HER.
What the fuck is that about and how does it have anything to do with the Olympics?
And according to wikipedia "lustmord" is....
Lustmord is also a German and Swedish word that means "lust murder".
Brian "Lustmord" Williams is a musician in the subgenre of dark ambient. He started recording with the industrial ensemble SPK in the early 1980s. He utilizes infrasound -- inaudible frequencies below 20 Hz, which have been known to cause feelings of awe or fear. Lustmord has extracted field recordings made in crypts, caves, and slaughterhouses, and combined it with occasional ritualistic incantations and Tibetan horns. His treatments of acoustic phenomena encased in digitally expanded bass rumbles have a dark ambient quality. Some of Lustmord's most notable collaborations include Robert Rich on the critically acclaimed "Stalker" and experimental sludge group The Melvins on "Pigs Of The Roman Empire".
An early side project of his, Terror Against Terror (with Andrew Lagowski), was a hard techno group that incorporated many samples from films of gunfire or other military activity. The record was originally intended to be the first part of a trilogy, the ultimate idea of which was to make each successive installment noisier; the third and final record was to have been pure noise. Unfortunately, the first record languished for two years without release and had lost some of its innovative sting by the time it appeared in print, courtesy of Dark Vinyl. The succeeding records were never made.
Williams consults regularly with other musicians to build custom studio equipment, and works with many Hollywood film soundtrack creators as well.
Lustmord has been working on Tool's DVD singles and has remixed versions of Schism and Parabol/a which were released December 20, 2005.
Anyways....on one of the pics there's a building with text being projected on its outside wall.....
The phrase sounded a little odd so I googled it and came back with the following entry....
PERPETRATOR
I SWIM ON HER AS SHE QUITES.
I SINK ON HER.
I SING HER A SONG ABOUT US.
I STEP ON HER HANDS.
I SPLAY HER FINGERS.
SHE ROOTS WITH HER BLUNT FACE.
SHE HUNTS WITH ME IN HER MOUTH.
SHE HAS THREE COLORS IN HER EYES.
I BITE HER CLOSED AGAIN.
I AM NEAR HER MILK.
I TELL HER TO SOAP HERSELF.
SHE TIGHTENS AND I HIT HER.
I WASH HER OUT.
I WATCH HER WHILE SHE THINKS ABOUT ME.
HER SALIVA RUNS WHEN SHE SLEEPS.
I HOOK HER SPINE.
SHE HAS A URINE SMELL.
HER SWALLOW REFLEX IS GONE.
HER HEAD EXPLODES IN THE FIRE.
HER BREASTS ARE ALL NIPPLE
SHE ACTS LIKE AN ANIMAL LEFT FOR COOKING.
I FIND HER QUATTING ON HER HEELS AND THIS OPENS HER SO
I CAN GET HER FROM BELOW.
I TAKE HER FACE WITH ITS FINE HAIRS. I POSITION HER MOUTH.
I WANT TO FUCK HER WHERE SHE HAS TOO MUCH HAIR.
I HOOK MY CHIN OVER HER SHOULDER. NOW THAT SHE IS STILL I CAN CONCENTRATE.
SHE HAS NO TASTE LEFT TO HER AND THIS MAKES IT EASIER FOR ME.
THE COLOR OF HER WHERE SHE IS INSIDE OUT IS ENOUGH TO MAKE ME
KILL HER.
What the fuck is that about and how does it have anything to do with the Olympics?
And according to wikipedia "lustmord" is....
Lustmord is also a German and Swedish word that means "lust murder".
Brian "Lustmord" Williams is a musician in the subgenre of dark ambient. He started recording with the industrial ensemble SPK in the early 1980s. He utilizes infrasound -- inaudible frequencies below 20 Hz, which have been known to cause feelings of awe or fear. Lustmord has extracted field recordings made in crypts, caves, and slaughterhouses, and combined it with occasional ritualistic incantations and Tibetan horns. His treatments of acoustic phenomena encased in digitally expanded bass rumbles have a dark ambient quality. Some of Lustmord's most notable collaborations include Robert Rich on the critically acclaimed "Stalker" and experimental sludge group The Melvins on "Pigs Of The Roman Empire".
An early side project of his, Terror Against Terror (with Andrew Lagowski), was a hard techno group that incorporated many samples from films of gunfire or other military activity. The record was originally intended to be the first part of a trilogy, the ultimate idea of which was to make each successive installment noisier; the third and final record was to have been pure noise. Unfortunately, the first record languished for two years without release and had lost some of its innovative sting by the time it appeared in print, courtesy of Dark Vinyl. The succeeding records were never made.
Williams consults regularly with other musicians to build custom studio equipment, and works with many Hollywood film soundtrack creators as well.
Lustmord has been working on Tool's DVD singles and has remixed versions of Schism and Parabol/a which were released December 20, 2005.
